Music
Overview
Graduates of the ASFA Music Department are currently active in virtually every professional musical endeavor: solo recitalists, symphonic musicians, conductors, opera singers, jazz musicians, composers, songwriters, band leaders, educators, music therapists, commercial music specialists, and recording artists. These successes are achieved through adherence to the ASFA Music Department's mission statement: through immersion in the most representative and inclusive repertoire, while remaining informed and inspired by the classics, our students create music in an array of musical settings. Our faculty, ensembles, and foundational classes ensure that an ASFA music student is thoroughly grounded in the world of music as it is in the 21st century. Our approach is informed by an understanding and recognition of each student's abilities and aligns learning with each student's journey, from where they have come to where they aspire to be as artists.
ASFA music students work toward achieving their dreams and life goals through our ensembles, required courses and electives. Each student sings in the Choir and instrumentalists participate in either Jazz Ensemble, String Ensemble, or Orchestra. Vocalists in the award-winning Concerto Della Donne ensemble as well as pianists and instrumentalists all participate in Chamber Music training. Students are required to take three years of Musicianship, including Classical Piano, Theory and Ear Training, as well as Senior Music History. All vocalists and pianists take additional courses such as Diction and Studio Class to intensify the focus on specific field of study needs. Electives in Advanced Theory, Composition, Songwriting, Conducting, and Jazz Combo are also offered for students that wish to enhance and expand their experiences.
When a student graduates from the ASFA Music Department, they are exceptionally well-prepared to meet the challenges of further study, regardless of their higher education and career paths. They discover the type of artist, creative, and person that they aspire to be
Meet the Faculty
Alex Fokkens, Chair of ASFA Music Department, Orchestra, String Ensemble, Chamber Music, Youth Orchestra, and Double Bass
Over the years, Fokkens emerged in his home country of South Africa as one of the most sought after, multi-faceted musicians of his generation. While living in South Africa, Fokkens served as the artistic director and CEO of the Free State Symphony Orchestra, the Musical Director of the Symphony Choir of Cape Town, the Resident Conductor at the South African College of Music, conductor of the Free State Symphony Youth Orchestra, and conductor of the Namibian National Symphony.
A highly sought-after conductor, he has led performances across the globe, from professional orchestras to youth ensembles, and has been a guest speaker and conductor at several U.S. universities, including Grinnell College and Texas Christian University. He has performed in La Turbie, France; Ravenna, Italy; the Millennium Centre, Cardiff, Wales; The Royal Festival Hall, Southbank, London, UK; and The Hippodrome, Birmingham, UK. He holds a master's degree in Bass Performance from Texas Christian University.
Dr. Lucy DeSa, Applied Piano, Class Piano, Piano Repertoire, Collaborative Pianist, and Music History. Dr. DeSa has been a member of the music faculty since 2011. Originally from Orange County, California, Dr. DeSa also lived and taught in Boston and Long Island, New York. Dr. DeSa has been heard in solo and chamber music recitals across the U.S. as well as internationally and live on public radio.
Dr. Robert Janssen,Applied Clarinet and Saxophone,Woodwind, Brass, Percussion, and Guitar Area Coordinator, Chamber Music, Jazz Ensemble and Combos, Performance Seminar, Senior Professional Music Practicum, and Advanced Musicianship Class.
Robert Janssen graduated from the Manhattan School of Music where he studied clarinet with Leon Russianoff and the University of Massachusetts at Amherst where he was teaching assistant to Michael Sussman. He received a Doctor of Musical Arts degree in 2000 from the City University of New York Graduate Center where he studied clarinet with Charles Neidich and theory with Joseph Straus. His dissertation is titled, “Analysis and the Performer’s Intuition: A Study of Joan Tower’s Fantasy for Clarinet and Piano.” Dr. Janssen has taught at Georgia College and State University, University of West Georgia, Georgia State University, Clayton State University, Brooklyn College, and the Bloomingdale School of Music in New York City. He has held faculty positions at UAB, Samford, and Birmingham Southern College. An active performer, Dr. Janssen appears regularly in solo, chamber, and orchestra performances. He has performed with the Atlanta Symphony Orchestra, the Charleston Symphony, Atlanta Pops, and numerous orchestras around Georgia. In New York, he performed with the Bronx Symphony, Paragon Ragtime Orchestra, Brooklyn Heights Orchestra, Amato Opera, Big Apple Saxophone Ensemble, and the Metropolitan Winds. In June 2007 Dr. Janssen performed with the Amion String Quartet on a Birmingham Art Music Alliance Concert. The Birmingham News said, “The Birmingham-based Amion String Quartet played well, but clarinetist Robert Janssen was the standout, playing with clarity and sensitivity.” Here in Alabama Dr. Janssen has performed with the Alabama Symphony Orchestra, the Tuscaloosa Symphony Orchestra, and the Huntsville Symphony Orchestra. He has performed in the pit orchestras of Camelot, Spamalot, Wicked, and Phantom of the Opera with Broadway Across America at the BJCC and in West Side Story at the Alabama Shakespeare Festival in Montgomery. Dr. Janssen joined the ASFA faculty in 2006 and is a member of the National Association for Music Education and The Alabama Federation of Music Clubs.
Cathy Spence, Voice, Diction, Repertoire, Choir and ASFA Singers
Cathy Spence enjoys her work at ASFA, teaching vocal music to individuals in the studio, as well as small ensembles and the large ASFA choir. Her previous experience includes working with all ages, from preschool through college. Under her direction, choirs and soloists have consistently earned Superior ratings throughout the State in district and statewide festivals. Students from her private voice studio have also excelled in solo vocal competitions throughout the region.
In addition to her teaching career, Cathy has had extensive performance experience in the field of opera. She has performed as a soloist with the Alabama Symphony, Kansas City Symphony, and the Kansas City Civic Orchestra. She was a district and regional finalist in the Midwest Metropolitan Opera Auditions and has performed numerous roles with the Kansas City Civic Opera, and the Opera Theater of Kansas City. She may also be heard in solos on various recordings of the Grammy award-winning Kansas City Chorale.
A graduate of Birmingham-Southern College, she holds a Bachelor of Music in Vocal Performance and a Bachelor of Music Education in Vocal Music, and a master’s degree from the University of Missouri, Kansas City.
Yuriko Yasuda, Violin and Viola, First Note Strings.
Violinist Yuriko Yasuda served as the Alabama Symphony Orchestra’s principal second violinist from 2005 until she joined ASFA’s music department faculty as the violin/viola instructor in August 2024.
Ms. Yasuda has performed with the Civic Orchestra of Chicago as its concertmaster, the New World Symphony in Miami, the Tanglewood Music Festival, the New York String Orchestra, and the Pacific Music Festival, among others. She has worked with many world-famous musicians, including Daniel Barenboim, Michael Tilson-Thomas, Seiji Ozawa, Paavo Järvi, Christoph Eschenbach, Yo-Yo Ma, and the Vermeer Quartet. She has also performed concertos with orchestras, given solo recitals, and participated in chamber music performances throughout the US and Japan.
Since 2005, Ms. Yasuda has maintained a private violin studio in Birmingham, teaching students of various ages, levels, backgrounds, and nationalities. Her students have won state-wide competitions and auditions, including top chair positions for AOA’s All-State Festivals, the Alabama Symphony Youth Orchestra, and the NYO2 festival in New York. She enjoys coaching chamber music and sectionals at various festivals.
A native of Sapporo, Japan, Ms. Yasuda received her Bachelor of Music degree in violin performance from the New England Conservatory in Boston, where she studied with Masuko Ushioda, and her Master’s degree from Northern Illinois University, where she studied with Shmuel Ashkenasi.
Ms. Yasuda resides in Hoover with her husband, three children, and two cats.
Master Classes and Guest Teachers
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Carlos Izcaray, Music Director Alabama Symphony Orchestra
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Dr. Thomas Otten, Piano professor, UNC Chapel Hill
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Dr. Kate Boyd, Piano professor, Butler Univ
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Douglas Lindsey, Trumpet Professor, Kennesaw State
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Dr. Anton Nel, Piano, International Performing Artist, University of Texas, Austin
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Amari Ansari, Touring Jazz Musician
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Daniel Bolshoy, classical guitar recording and touring artist
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Jorge Sanchez, Granada, Spain. Flamenco Guitar Workshop
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MSgt Matthew Summers, euphoniumist with the President’s Own Marine Band
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Terrence Wilson, International Touring Piano Artist
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Dr. Anthony Pattin, Professor of Piano, retired, Montevallo University
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Keith Wolfe-Hughes, General Director, Opera Birmingham
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Dr. Rebekah Griffin Greene, Composer, and Professional NY Bassist
- Dr. Brian Raphael Nabors, Composition Faculty, LSU, Internationally recognized composer.
Curriculum
The Alabama School of Fine Arts Department of Music offers training and experience that prepare music majors for advancement to universities, college-level conservatories, and subsequent professional careers. The outstanding record of success by ASFA music majors reflects of our basic philosophy: to develop technical proficiency, artistic ability, and intellectual curiosity to the fullest, so that each individual will be prepared to advance to the next level of study in pursuit of a career option in the field of music.
Recitals
All students perform in recital at least once each semester. Students receive specific assignments. Participants dress and act with appropriate concert decorum in order to project a positive image for the department.
Junior and Senior Recitals: In lieu of a semester jury, juniors present a 25 min recital of solo repertoire and seniors present a 30 min recital. The senior recital is the culmination of applied music study. Through this experience the candidate for graduation demonstrates not only technical accomplishment but also an understanding of musical form and style pertinent to various historical periods; awareness of the composer's artistic intent and the means to aesthetically convey that in a performance environment, and a well-developed stage demeanor and personal poise.
Extracurricular Performances
Students participate in extracurricular performances to the extent that such performances do not interfere with scheduled ASFA activities, and that they reflect favorably upon the individual and the institution.
Enrichment Activities
Students customarily participate in All-District, All-State Jazz Band, All-State Choir, All-State Band and Orchestra, Alabama Symphony Youth Orchestra, other area ensembles, and independent study with guidance by faculty advisors. ASFA students have performed with Samford University Orchestra and the Gadsden Symphony Orchestra. Some competitions where ASFA is represented include the Music Teacher's National Association Competition, Birmingham Music Clubs, National Association of Teachers Singing (NATS), and the American Federation of Music Clubs.
ASFA music students have attended summer music camps and festivals at venues such as Kennedy Center, Brevard Music Center, Eastern Music Festival, National Youth Orchestra (NYO and NYO2), Sewanee Summer Music Festival, and Tanglewood.
Applied Music (The following course work relates to actual music performance).
Applied Major Study (One lesson weekly) - The weekly private lesson with a specialist studio instructor, and the individual student practice regimen necessary to prepare thoroughly for each lesson. The long-range objective is to develop maximum technical proficiency and musical artistry in vocal/instrumental performance. Individual requirements vary with age and experience; however, students are generally assigned technical work (vocal exercises for singers, scales/arpeggios and etudes for instrumentalists) as well as appropriate solo repertoire. As the student progresses, needs inevitably change and the course of study undergoes some revision (.7 unit per semester).
ASFA Orchestra (Admission by audition) - The ASFA Orchestra annually presents dozens of performances both on- and off-campus.
ASFA Choir - Singing is the most fundamental of all musical activities; therefore, it is essential that music majors develop a modicum of vocal ability and a familiarity with the myriad of vocal music which pervades every culture in the world. Since solo and part-singing in a group constitutes the most efficient means to achieve a general competency, all music majors will participate in choir rehearsals and performances (.1 or . 2 unit per semester).
Concerto della Donne – This select vocal ensemble is featured at designated performances throughout the year. Made up of female voice majors and instrumentalists (.1 unit per semester).
Chamber Ensembles - Students participate in small group ensembles of 2 to 12 players coached by a faculty member each week.
Jazz Ensemble (Admission by audition) - Study and performance of jazz standards. History of jazz, jazz harmony, and improvisation are included. Students participate in multiple performances at ASFA and across the state.
Vocal Repertoire - Group experience allowing vocalists to perform works-in-progress for peer observation and critique. Theoretical and historical aspects of the music under study may be shared in group discussion.
Piano Repertoire/Literature - Group experience allowing pianists to perform works-in-progress for peer observation and critique. Theoretical and historical aspects of the music under study may be shared in group discussion. Techniques for accompanying and performing chamber music with instrumentalists and vocalists are included.
Practical Music (The following course work relates to the development of musicianship skills)
Music Theory (Beginning level through Advanced Placement level) - These courses are designed to facilitate learning of musical style and practices in order to gain an understanding of the organization of music and its principles. Students develop skills in analysis, part-writing, and form in music.
Ear Training/Sight-singing (Beginning level through Advanced level) - These courses are de-signed to develop the student’s fundamental aural and sight-reading/singing skills. They are trained in music dictation and the singing of music examples in solfège.
Music History - This is a comprehensive course covering the music of the Western world. It is taken during the senior year. Students learn to think and read critically and are engaged in critical discussions about music.
Class Piano - All upper division non-keyboard majors are required to complete Class Piano by learning and demonstrating proficiency in playing all major/minor scales, arpeggios, harmonic cadences, rudimentary solo pieces and simple sight-reading. This course is taken during the junior year.
Accomplishments
Where are Music Alumni now?
- Amari Ansari: Touring musician with bands including Stevie Wonder, St. Paul & the Broken Bones, John Batiste, and Dee Dee Bridgewater
- Thomas Bagwell: Assistant conductor Metropolitan Opera and Washington National opera, recitals with Marilyn Horner, Renee Fleming, Susan Graham and Denyce Graves
- Chip Williams: Musical director and keyboardist for the Alabama Symphony Orchestra
- Kate Taylor Hollingsworth: Singer and musician in the band Deadfingers
- Adam Guthrie: Custom guitar maker and business owner
- Kim Scott: #1 Billboard charting jazz flutist
- Mitski: Grammy-nominated singer-songwriter, vocalist and multi-instrumentalist
Music News
Gallery
Apply!
Application
- The general application is done through an online platform.
- Submit the general application before submitting any department-specific materials.
- The parent questionnaire is an opportunity to provide important information on your student.
- The two student essays are an opportunity for the student to highlight their personality and passion for their specialty.
- A $25 application fee must be submitted with the application (if this cost is prohibitive contact Katie Gordon.)
- Applications open at the beginning of November.